- Sofia Coppola's Marie Antoinette
I love how it feels both antique and modern at the same time.
- Tim Burton's Edward Scissorhands
The word pastel probably doesn't come to mind when you think of Burton's films, but his use of Easter shades in Edward Scissorhands is perfect. I love the contrast between Edward's color palette and the rest of the film.
- Wes Anderson's Grand Budapest Hotel
The amount of pink in this movie is overwhelming in the best way possible. But seriously, why aren't there more pink hotels around?!